Tag Archives: OST

More Videogame Soundtracks on Spotify

When Infogrames released PC adventure game Outcast in 1999, video game music was taken to the next level. No more bitpop or incidental music: Outcast had a full orchestral score, written especially for the game and performed by the Moscow Symphony Orchestra and choir.

Soundtrack music is now an integral part of the modern gaming experience, adding atmosphere, emotion, and tension to the game. These days most game companies release soundtrack albums to accompany a game release. I looked at some Videogame Soundtracks on Spotify last year, but lots have been added to Spotify since then. Here’s a look at ten of them.


L.A. Noire

L.A. Noire is well on its way to becoming my game-of-the-year. This 1940s crime procedural perfectly captures the smoky atmosphere of post-war L.A., and the jazz soundtrack plays a big part in this. The official soundtrack features score music by Andrew Hale, as well as three songs by the divine Miss Claudia Brücken (who doubles as Elsa Lichtmann, singer in The Blue Room nightclub). Spotify has the official soundtrack album but for the licensed music, jump on over to ShareMyPlaylists and check out my playlist of L.A. Noire Radio Songs.




Red Dead Redemption

My favourite game of 2010, Rockstar’s Red Dead Redemption has a superb soundtrack that played an important part in creating a dusty, western atmosphere. One of the highlights was when you first ride into Mexico: as you arrive, the soundtrack takes over and the song Far Away by José González plays as you take in the new horizon. It’s here on the soundtrack album along with 18 other tracks.




Dead Space 2

This game quite literally made me cry in fright several times whilst playing it: it scared the shit out of me. No other game (or indeed horror movie) has ever done that before! Jason Graves’ Alien-inspired orchestral score played in huge part in ramping up the tension. It’s here on Spotify so that you can relive those nightmares again (if you dare). In the meantime, check out videogame website TheFeed’s fascinating interview with the composer.




Call of Duty: Black Ops – Zombies

Zombies are everywhere these days. 2008’s Call of Duty: World at War had a  Nazi zombie mini-game that proved so popular that every self-respecting first-person shooter since has had to add in a few brain eating undead for you to shoot at. Black Op’s Zombies mode took it the next level, letting you play as zombie-fighters John F. Kennedy, Richard Nixon, Robert McNamara, and Fidel Castro. This soundtrack album has all of the zombie songs from WAW and Black ops.




Crysis 2

With contributions from legendary Hollywood composer Hans Zimmer, the Crysis 2 soundtrack is as big as the game. I’ve not played Crysis 2 yet but plan to pick it up on pre-owned once I finish L.A. Noire. The soundtrack is available on Spotify in three flavors: the original version (with 15 tracks), Be Fast! (with 16 tracks) and Be the Weapon! with 17 tracks.





Portal 2

Valve’s Portal 2 is another contender for game-of-the-year. I love this franchise so much I even bought the T-Shirt 😉 The original game featured the song Still Alive in the closing credits, which for me contributed to most memorable game-ending ever. Valve is releasing the Portal 2 soundtrack (called Songs to Test By) across three volumes free of charge via their website. You can download Volume 1 here.





Some other recent videogame soundtracks include:

Let us know in the comments if you spot any more!

Electronic Film Soundtracks on Spotify

With The Chemical Brothers, Daft Punk and Underworld all recently scoring soundtracks for films, I thought it’d be a good time to have a look at Spotify’s choice of electronic movie soundtracks. There are some great Various Artist electronic soundtracks (Blade, Run Lola Run, The Beach, Spawn) but for this Top 10 we’re concentrating on single artists with soundtrack albums you can listen to on Spotify. Read on for my Top 10 picks!


Louis and Bebe Barron – Forbidden Planet (1956)

The first-ever fully electronic soundtrack was for sci-fi classic Forbidden Planet. A blueprint for the BBC Radiophonic Workshop, this is more sound-effect than music (in fact, the Barron’s are credited on the film with “Electronic Tonalities” rather than “Electronic Music.” This was mostly due to them not being members of the Musicians’ Union, but listening to the soundtrack on Spotify it does seem a more accurate description).




Giorgio Moroder – Midnight Express (1978)

Italian disco and electro pioneer Giorgio Moroder has a long history in both pop music and movie soundtracks. He won three Academy Awards for his original scores, my favorite of which is 1978’s Midnight Express. Title track Chase is a hi-NRG classic: it was released as a single and still sounds amazing over 30 years later (also check out last year’s batch of remixes).





John Carpenter – Escape From New York (1981)

John Carpenter is a movie hero of mine, especially after I saw The Thing as a teenager. As well as a director, producer and writer, Carpenter also composed the soundtrack for most of his films. My favorite is probably the soundtrack to Assault on Precint 13 (as liberally copied for the old Amiga game Xenon II Megablast) but that’s not on Spotify yet. Halloween is though, with its instantly memorable and creepy theme, but I’d recommend Escape From New York: a brilliant analogue synth soundtrack from 1981, remastered and re-cut back in 2000 to add extra tracks and movie dialogue.



Tangerine Dream – Thief (1981)

German ambient electronic band Tangerine Dream have a staggeringly huge back catalog: over 100 albums! They’ve always been a bit too electro-jazz for my tastes (although I do like some of the solo work from ex band members Klaus Schulze and Christopher Franke), but in the electro circles I gravitate in Tangerine Dream are untouchable masters. With dozens of film soundtracks to their name, there’s lots to hear on Spotify. Since 1981 was such a great year for music, I’ve selected their soundtrack to Michael Mann’s Thief.



Vangelis – Blade Runner (1982)

Of all the electronic soundtracks featured here, Vangelis’ score for SF classic Blade Runner is probably the best-known and most loved (it’s certainly my favorite of this Top 10). Its dark and futurisic ambience perfectly matches the mood of the movie, while remaining a magnificent piece of electronic music in its own right. The official Vangelis score came out in 1994, with an expanded Blade Runner Trilogy released in 2007. Chariots of Fire might be my Mum’s favourite Vangelis album, but replicants like me dream of electic sheep all the way down…



Air – The Virgin Suicides (2000)

French band Air’s score for Sofia Coppola’s The Virgin Suicides followed on directly from their smash space-pop hit Moon Safari. I played that album to death when it came out, as well as their debut Premiers Symptomes. Although still primarily electronic, the Virign Suicides score includes several more traditional instruments such as drums and guitars. And despite being a movie score, this is still an Air album and works just as well without the visuals.




Orbital – Octane (2003)

Following their 1997 soundtrack for the film Event Horizon, Orbital’s score for Octane takes the electronic dance masters into ambient territory. Fans of the band’s regular albums might be a little disappointed, as this is all atmosphere and Tangerine Dreaminess. I’ve not seen the film so don’t know how well the score fits the visuals, but on its own this album is a bit of challenge to listen to in one sitting (but check out Initiation for a bit of more-recognizable Orbitalisms).




Paul Kaulkbrenner – Berlin Calling (2008)

Paul Kaulkbrenner is a German DJ and musician who so impressed film maker Hannes Stöhr that he became the subject, the star, and the score composer for his 2008 film Berlin Calling. The soundtrack is mostly minimal and downbeat, although the single Sky and Sand is more upbeat and went gold in Belgium.





Trent Reznor and Atticus Ross – The Social Network (2010)

If you’d have told me ten years ago that Nine Inch Nails (aka Trent Reznor) would win an Oscar for a film soundtrack, I would have thought you had a head like a hole. Scoring The Social Network with Atticus Ross, the sound varies from electro-ambient to a more dark electro-pop vibe. There’s even an echo of Nine Inch Nails in a few of the tracks (A Familiar Taste, for example). Next up is a Reznor score for David Fincher’s remake of The Girl with the Dragon Tattoo.




Daft Punk – TRON: Legacy (2010)

Surprising many with its combination of acoustics and electronics, Daft Punk’s soundtrack to TRON: Legacy is a worthy successor to Wendy Carlos’ original. With shades of 80s John Carpenter, Philip Glass, Jarre and Vangelis, Daft Punk’s score is a fabulous retro-futurist mix of tracks and my favorite soundtrack from last year. Pity about the film though.





MIA: Electronic Film Soundtracks Not on Spotify

There are several electronic film soundtracks that would almost undoubtedly have made this list, however none of them is on Spotify.

  • Gil Melle – The Andromeda Strain (1971) – Gil Melle’s soundtrack is generally regarded as the first ever electronic music score for a movie.
  • Wendy Carlos – A Clockwork Orange (1971) – Wendy (then Walter) Carlos’ Moog-infused soundtrack  to Kubrick’s A Clockwork Orange is a classic in every sense.
  • Underworld – Sunshine (2007) – British electronic masters Underworld followed in Orbital’s footsteps to score this Danny Boyle SF film.
  • Chemical Brothers – Hanna (2011) – Joe Wright’s new movie Hanna has a score by The Chemical Brothers. Let’s hope it comes to Spotify soon It’s now on Spotify!